Logline
Starfleet commandeers the Enterprise for an alien pursuit that grows far beyond its original orders.
Written by: Alan B. McElroy
Directed by: Sharon Lewis
Starfleet commandeers the Enterprise for an alien pursuit that grows far beyond its original orders.
Written by: Alan B. McElroy
Directed by: Sharon Lewis
I really enjoyed this one. The core moral dilemma of orders versus morals, captured in a strong A story and a decent B story. Genuine character growth, and an out for M’Benga that made sense, was in character, and felt justified. The direction was really nice, it captured the tense nature of the episode. The treknobabble for the A plot was pretty decent, and in the B plot I enjoyed the cave set - it felt used and full, not bare like they sometimes do. I really enjoyed the acting here - the Andorian leader gave me a hint of cardassian in his analytical takedown of humans, and the badmiral was really enjoyable from his upbeat arrival to steady decline into madness. The two Kirks getting along really well was enjoyable, and the synchronised walk and talk at the end was a nice way to wrap up the episode.
From this season’s approach, I’m guessing this episode drawing from old war films, in particular I am getting flavours of submarine hunts, chasing after wakes, and handling big questions of WMDs, the sanity of the chain of command. This is exactly the way I like those references embedded, allowing the trek to shine through, rather than the gimmick taking over.
My only immediate quibble in this episode was when Uhura went Rambo in the caves, it did feel like the Andorians went down a little easy, but I wasn’t that bothered by it. A’Sha leaving is fine, I guess, she didn’t feel very present throughout the season anyway.
Please, more of this type of episode.
Maybe it’s just because the writers of the (alleged) next Trek film have been talking about it, but I did think of “Crimson Tide” several times during this one.
I can’t help but think there’s still more to come with her - they haven’t dropped her off yet, after all. Something about it seems unfinished, somehow.