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Well this is concerning. If they’re not getting any more funding from 505 to make Control 2 and Condor then, uh, who’s funding Control 2 and Condor?
Well this is concerning. If they’re not getting any more funding from 505 to make Control 2 and Condor then, uh, who’s funding Control 2 and Condor?
Eat the rich in Minecraft
They’ve got the look spot on, but everyone’s miscast and none of the jokes land.
I mean, Idle Champions Of The Forgotten Realms is right there already.
Depends on whether your plan is to right the ship (sensible, boring, doesn’t interest investors) or to take that money and gamble it elsewhere in hope for big returns (chaotic, potentially disastrous, shareholders love it).
It’s Rocksteady, so it’ll be higher than 40s. Heck, it’s almost impossible to get a score lower than 40 on metacritic…
Mid 60s I’m guessing, perhaps as high as 69 if reviewers are feeling generous. The kind of score which would be absolutely fine if it were a cheap and cheerful B-game made by a scrappy team of underfunded devs, but which is an absolute embarrassment when applied to a multi million dollar tentpole. The kind of score that implies ‘meh’.
I would suspect that the real draw to working with Starfleet for non-federation personnel isn’t any concept of wages, but a comprehensive benefits package. Presumably Starfleet membership confers some level of personal federation membership, possibly for both you and your immediate family, which may mean that you get to move your loved ones to a mostly-utopic federation world.
Yep. The show was written by humans, humans are flawed, therefore the show is flawed. It’s constantly undone by an unholy mix of things that seemed okay at the time, things that were written to try and correct the things that previously seemed okay at the time (but which made things worse), the personal flaws of the creators seeping into their works, and a pile of crappy tropes that TV can’t help but lean on. It’s weird that you think this is something that isn’t a consideration of the show ‘anymore’; this all goes back all the way to the 60s. Original Trek is occasionally misogynistic crap, and once went so far as to describe Nazism as the most efficient form of government. TNG had episodes that were straight up racist, and characters that are accidentally written as creeps. This is a problem the show has always had, and sometimes you just have to deal with that to get to the good stuff.
Elim Garak, because how can you not love a patently duplicitous and yet still somehow generally benevolent smooth-talker who chews all the scenery and exudes the queerest energy simple tailor?
Heck, Lower Decks already did it with Boimler, with the status quo being back to normal after two episodes of fun B-plots on the Titan.
Heck, even before you take into account differing xenobiologies, this has precedent on earth; different cultures are often unused to how other cultures smell.
The choice of Bynars as the latest victims was clever; if you’re going to remind everyone what’s going on with mysterious ship, but need to get through the entire sequence as quickly as possible, go with the species that transfer information at the quickest rate!
Good call!
Honestly, whilst it would be nice for the mysterious ship of destruction to actually reach the central plot someone soon, I’m enjoying the little snapshots into lower deck life on other ships. It’s a shame it always inevitably ends with vaporisation.
I’d argue that Odo fits the traditional role more directly, as his confused and sometimes disdainful fascination with solids has a similarly cold and analytical approach to that of Spock and Data. But then, Quark and Odo are essentially two sides of the same coin.
To be fair, DS9 didn’t really have one of those. But DS9’s strength was that the entire extended cast including minor characters had interesting stories to tell. Voyager on the other hand has characters like Ensign Harry Kim, a character so underserved and underwritten that at one point he’s killed off and replaced with an alternate universe version of himself and the dynamic doesn’t change one iota.
Until reasonably recently, Embracer was known as Nordic Games. Their plan was simple and quite effective; buy old game IP, release remasters, make reasonably-budgeted sequels aimed at niches of the industry being missed by the increasingly laser-focussed AAA publishers.
It worked for a good few years, and they became a Katamari of game development studios. An increasingly unwieldy Katamari. And like any good Katamari they started picking up bigger and bigger things. Suddenly instead of spending a couple of thousand on a struggling legacy developer, they were paying upwards of a billion at a time, swallowing up things like Gearbox, Asmodee, Dark Horse Comics, Middle Earth Enterprises, Square Enix Europe. They lost focus and just kept buying things, including things they couldn’t afford to buy. Eventually, a planned deal with the Saudis fell through, and that Katamari just slammed directly into a wall.
Robert Picardo lobbied so hard for that cameo!
It’s not the original recording, but it’s one of those covers that sound so similar that you ask what the point was.
Presumably, the point was lower licensing fees.
So are they actually going to bother to release this one, or…