For me it’s time signatures in music. I grew up playing instruments, played in several orchestras, etc. But no matter how many times someone tries to explain time signatures to me, it makes no sense. I don’t understand why people place such importance on it. To me, notes have a pitch and a duration, maybe some dynamics. That’s it. I don’t understand why people try to needlessly complicate it. It doesn’t give you anything.
My wife will hear a song and go “Oh neat, it’s in 5/8.” And I’m like “How tf do you know that, and why does it matter?”
Skateboarding. None of it computes for me. My brother has been a lifelong skater and still rips it up at almost 40, and I see him do shit on the board and I just can’t figure out what the fuck is happening. It breaks physics, it’s like bee flight, none of that crap should be possible.
I watched him go up a very steep incline and do the thing where it’s a kickflip and a pop shove it at the same time, which is enough on its own to break my brain, but he and the board went up and landed at the same angle of the incline like it was flat ground, he and the board went up and down perpendicular to the incline without any vertical drag on the drop and landing. Gravity doesn’t fucking work that way! And how the fuck do their feet and the board just get back together after the board is seizuring mid air and just fucking land and keep going like there are magnets on their feet or something? It’s gods damned wizard shit.
piano
Walking
I understand time signatures in theory, but not in practice. I comprehend what they are and what they mean, but they don’t make sense to me. I don’t understand what they do or why they’re necessary.
Like I get it, the bottom number tells you how many beats are in a whole note. Most commonly 4, but sometimes 8 or something else.
The top number tells you how many beats are in a measure. In common time, that’s again 4.
But mathematically, wouldn’t that mean 3/4 time is the same as 6/8 time? They’re equivalent as fractions. But when I ask a musician they don’t explain it, they just tell me “No, they’re different. That’s 3/4, this is 6/8.” And usually with this undertone like “Are you stupid? This is so obvious, what part are you not getting?”
From what I gather, 6/8 time is usually done in pairs of triplets. So it does sound rhythmically different than 3/4. But no one ever tells you that, not even when the concept is introduced in textbooks on music theory. They just tell you “and this is 6/8 time,” as if you’re just supposed to know how and why that’s in any way different from 3/4 time…
I am not a musician and there are MANY people that know MUCH more about music theory than me.
e.g. 6/8 time. 6 is how many beats are in a bar. 8 is how many bars. Why important? So we know when the music gets back to the start of the cycle… Kinda. There must be a beginning and an end. Why is No. of beats important? So we have an idea of the feel and how many notes roughly we can play within that. Why is 6/8 different to 3/4? Accents on a 3/4 the accent is typically on the 1 ² ³ 1 ² ³ and in a 6/8 the accent is going to mildly be on the 1 but more noticeable on the 4. Think MJ’s “The Way You Make Me Feel”. 6/8 has drive and the feeling of the accent on the UP beat.
Beyond this simplicity music is maths. Do you need to know the rules? No. Do whatever you want. But if you know the rules, you can exploit them; like musicians and composers do to create complex compositions and polyrhythms.
Hope this helps in any way.
No, the top number is beats per measure. The bottom number is how many beats are in a whole note. For example, in 6/8 time a whole note has 8 beats, making an eighth note one beat. As opposed to 3/4 time in which a quarter note is one beat.
But the exact same thing can be accomplished just by changing the tempo.
As for the accents, yeah, that’s what I gather the only difference is. But it’s never explicitly taught that way, and there’s nothing hardcoded into the logic of time signatures that suggests it must be that way.
A non trivial amount of the reasoning is simplicity of reading and writing music. You could transpose everything to 4/4, but it would require a lot of weird patterns.
Played for over 20 years, aced my music theory final while I was still in school. Have minimal issues translating and coordinating with other musicians professionally.
Me too bud.
They say it’s about groove and feel but that’s highly subjective and falls apart the second polyrhythms get involved.
In the end, anything can technically be written in any time signature, imh It just comes down to what’s easiest (or most obnoxious/ gimmicky) to read / write.
I mean I get why you would want to use 3/4 time instead of 4/4 time. For instance if you’re composing a waltz, you would want to use 3/4 time, because the rhythmic pattern repeats every 3 beats. Or for something like “da daa, da daa, da daa, da daa”
It’s more convenient to use a time signature that aligns with the repeating rhythm. But that only requires the top number.
To me, the bottom number has always been utterly meaningless. Sure you can fit two triplets in a 6/8 measure as opposed to one triplet in 3/4, but you could compose the same thing in 3/4 and just use two measures for the motif instead of one, and make it a faster tempo, and suddenly it’s played exactly the same way…
This is why I prefer to use trackers instead of sheet music when possible. All I want to look at is what pitch the notes are and how long they are. I don’t like key signatures either. It’s better, for me, for each pitch to have its own space.
I took piano lessons for many years and I could sight-read sheet music … sorta. As long as the notes were within the staves, I knew exactly what key to play. It was when notes were above and below the staves that I had to stop and count how many little lines were attached to each note to figure it out. Obviously that messed up my rhythm a bit lol.
I’m a programmer and I’ve spent thirty years writing music composition software and I never once even thought about incorporating traditional sheet music representation. It’s just so clunky and poorly designed for the job. And when you start getting into microtones it’s completely hopeless.
Shopping. Walking around looking for stuff to buy.
This has NEVER made sense to me. I’ve practically never happened upon something I want to buy in a corporate store
Parents are really good at this because it’s their only alooone time
Small talk. I’m just not interested.
I once went to a place to meet some people. The people I came to meet were in two distinct groups, chatting. I didn’t know which group to join, so I stood in between them, listening to both. First one was talking about something boring and stupid, the second the same. So I just… stood there. Outside both groups, staring at the floor, wandering if I should just leave.
I would have joined your group.
Directions. I’m just clueless to the point it’s a problem.
Thank god for GPS. Even now people keep trying to give me directions and I’m like just shut up, I have a phone that will tell me where to go.
Still not 100% on sarcasm, as an autistic person. Sometimes slips through the cracks for me when others use it. That’s despite me being a somewhat sarcastic person.
Choreography. Not just dance moves, but any physical activity where I watch someone do a thing and have to repeat it using my own body. Had a hell of a time learning to tie a necktie.
It’s a skill! If you’re interested maybe join a dance class, boxing/MMA class, pottery class, or do some improv!
I cannot, and I mean cannot, flip a map in my mind. North has to be pointing north or my brain just keeps messing up.
There was a test in the back of Scientific American magazine a long time ago with pairs of 3d models (the stick and ball things people use to show molecular structures) and they turned them in different directions and asked “are these identical or mirror images” how many can you answer in 5 minutes.
I stared at it for an hour and couldn’t do even one. Like, I was crying by the end of the hour because I felt so stupid but my mind, it just couldn’t tell.
I’ve never had trouble reading but learned to read very young (barely 3 year old) like a language, sort of before even knowing the alphabet that well - it’s not a dyslexia situation. But I sure couldn’t see those differences in the quiz. At all.
I once dungeon-mastered a DnD campaign. For the map I just took a map of North America and rotated it 90°. Not one person noticed.
Funnily enough I only understand the time signatures partly. 😅. Like, I understand 3/4 and 4/4 and the difference in playing or listening or dancing to it. But, wtf is 6/8? That’s just 3/4 as far as I am concerned.
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The emphases are different:
If you denote a full bar in 1/8 notes, in 6/8 the beat goes TAK-a-ta TAK-a-ta, while in 3/4 it’s TAK-a TAK-a TAK-a.
The “TAK-a-ta’s” are both super helpful and oddly reminiscent of Lisa Simpson learning how to dance “Tap-a Tap-a Tap-a!”
Is that supposed to be intuitive? You’d think the one with 3 in the name would be the one with emphasis every 3rd note
It is more intuitive in groups of 3 notes. 3/4 is often used for a waltz, TA-ta-ta, TA-ta-ta.
The emphasise is on the first note of the 3.
6/8, as I have learned from this thread, has the emphasis a little on the first but mostly on the 4th, so Ta-ta-ta TA-ta-ta. It moves differently. If you use a series of 8th notes, the whole thing flips, and 6/8 feels fluid, and 3/4 feels janky.
The time signatures have a purpose, it’s just not…well explained.
Discipline/self control. I don’t need to worry so much about the self control in that way, I’m a very chilled guy. I only really give into the intrusive thoughts when I’m cooking food, or saying something I think is funny but turns out to just be offensive.
The discipline I struggle with. I don’t understand how people seem to have enough hours in the day to keep a tidy home, study a course in the evening, do a tiktok channel as an attempt at a side hustle, 40 hours a week at work, cook a full dinner every evening for family etc etc etc.
Sometimes, like once or twice a month, the stars will align and I will be on it, but I can’t just be that guy on demand.
The standard was set by households that had domestic servants. Either actual rich people or southern whites exploiting low wage black women and girls.
It was maintained for a time in the 1950s with drugs. Alcoholism was rampant, and tranquilizers for women. Miltab, mommies little helpers. You can see this in media well into the 90s with vicodin, Lexapro.
Drug yourself into a haze and you can do it. You won’t have time for a social life.
The point is it’s not a realistic standard. Live communaly and it starts to work better. Otherwise give yourself grace.
This. All of this.
Responding in a way that isn’t mean or rude.
If being kind isn’t your default then it’s your job. Do your job, were all counting on you.
Story comprehension. For example, I was trying to play Chrono Trigger, and at some point I just can’t follow the story any more. Then I lose interest in the game.
Happens in books and movies as well.
I can’t count how many times I’ve read or heard about something having an amazing story, only to think to myself “This is dogshit.” That’s when you realize just because something is popular doesn’t mean it’s written well.
The most recent example of this was this horror short story about a town where people couldn’t die (content warning, duh), but can very much still be injured and all the shenanigans that entices. While the comments were mostly praising it, I though to myself “Did a 12 year old write this?”
Sounds like the village of Hinderstap from The Wheel of Time series
Sounds similar to Death Becomes Her
Love and affection. As someone who’s parents have a bunch of psychological problems, paired with growing up poor as an immigrant. I never in my life have experienced either love or any sort affection for either family nor strangers. For context my mother is a prefect example of a sociopath and I’m 80% sure my dad is autistic. Neither of those conditions exactly scream empathy. I never heard the words ‘I love you’ spoken with the eyes, or any sort of meaning behind them. Listening to daily (and I’m not exaggerating here) screaming matches for 30 years has given me the impression that those words don’t really mean anything to them anyway. Never having had a safe place to develop those feelings and given that I’m not exactly easy on the eyes means that I have somehow managed to become full grown, mentally stable adult with empathy, and a yearning for affection and acceptance without a single fibre of love in my body. Never have I had an interaction other than quid pro quos, “I want something from you, you want something from me.” never “I want you, you want me.” I literally can’t imagine what it’s like waking up next to somebody, feeling emotionally safe or having somebody genuinely wanting to spend time with you. I know that there are currently literally billions of people for whom this the most normal thing in the world but for me that is borderline incomprehensible. I would want to wish that kind of lonelines on my worst enemy.
I’m a dude BTW.
