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cross-posted from: https://lemmy.world/post/50292078
Crossposted from https://lemmy.world/post/50292024
“Today is August 4, 2026”
Text transcript available at the bottom
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Transcript
There Will Come Soft Rains
By: Ray Bradbury
In the living room the voice-clock sang, Tick-tock, seven o’clock, time to get up, time to get up, seven o’clock! As if it were afraid that nobody would.
Seven-nine, breakfast time, seven-nine!
In the kitchen the breakfast stove ejected eight pieces of perfectly browned toast, eight eggs sunnyside up, sixteen slices of bacon, two coffees, and two cool glasses of milk.
“Today is August 4, 2026, the city of Allendale, California.”
Somewhere in the walls, relays clicked, memory tapes glided under electric eyes.
“”Eight-one, tick-tock, eight-one o’clock, off to school, off to work, run, run, eight-one!” But no doors slammed. It was raining outside. The weather box on the front door sang quietly: “Rain, rain, go away; rubbers, raincoats for today…”
Outside, the garage chimed and lifted its door to reveal the waiting car.
After a long wait the door swung down again.
At eight-thirty the eggs were shriveled and the toast was like stone. An aluminum wedge scraped them into the sink. The dirty dishes were dropped into a hot washer and emerged twinkling dry.
“Nine-fifteen,” sang the clock, “time to clean.”
Tiny robot mice thudded against chairs, whirling their mustached runners, Kneading the rug nap, sucking gently at hidden dust. Then, they popped into their burrows. The house was clean.
“Ten o’clock.” The sun came out from behind the rain. The house stood alone in a city of rubble and ashes. This was the one house left standing. At night the ruined city gave off a radioactive glow which could be seen for miles.
“Ten-fifteen.” The garden sprinklers pelted the windowpanes,
running down the charred west side where the house had been burned evenly
free of its white paint. The entire west face of the house was black, save for five places. Here the silhouette in paint of a man mowing a lawn. Here, as in a photograph, a woman bent to pick flowers. Still farther over, their images burned on wood in one titanic instant, a small boy, hands flung into the air; higher up, the image of a thrown ball, and opposite him a girl, hand raised to catch a ball which never came down.
The five spots of paint – the man, the woman, the children, the ball –
remained. The rest was a think charcoaled layer.
“Twelve noon.”
A dog whined on the front porch.
The front door recognized the dog voice and opened. The dog, once huge and fleshy, but now gone to bone and covered with sores, moved in and through the house, tracking mud.
The dog frothed at the mouth, ran wildly in circles, biting at its tail, spun in a frenzy, and died. It lay in the parlor for an hour.
“Two-fifteen.”
The dog was gone.
In the cellar, the incinerator glowed suddenly and a whirl of sparks leaped up the chimney.
“Two thirty-five.”
Bridge tables sprouted from patio walls. Playing cards fluttered. Martinis manifested while music played.
But the tables were silent and the cards untouched.
At four o’clock the tables folded back through the paneled walls. “Four-thirty.”
The nursery walls glowed.
Animals took shape: yellow giraffes, blue lions, pink antelopes, lilac panthers. Hidden films clocked through well-oiled sprockets, and the glas walls lived. It was the children’s hour.
“Six, seven, eight o’clock.” The dinner dishes manipulated like magic
tricks, and in the study a click.
“Nine-five.” A voice spoke from the study ceiling:
“Mrs. McClellan, which poem would you like this evening?”
The house was silent.
The voice said at last, “Since you express no preference, I shall select a
poem at random.” “Sara Teasdale. As I recall, your favorite…
“There will come soft rains and the smell of the ground,
And swallows circling with their shimmering sound;
And frogs in the pools singing at night, And wild plum trees in tremulous white;
Robins will wear their feathery fire, Whistling their whims on a low fence-wire;
And not one will know of the war, not one Will care at last when it is done,
Not one would mind, neither bird nor tree If mankind perished utterly;
And Spring herself, when she woke at dawn Would scarcely know that we were gone.
At ten o’clock a falling tree bough crashed through the kitchen window
shattering cleaning solvent over the stove. The room was ablaze in an instant.
“Fire!” screamed a voice. Water pumps shot water from the ceilings while the voices took it up in chorus: “Fire, fire, fire!”
The house tried to save itself, but the wind blew and sucked upon the fire.
Scurrying water rats pistoled their water, and ran for more. And the wall sprays let down showers of mechanical rain.
But too late. The quenching rain ceased. The reserve water supply which had filled baths and washed dishes for many quiet days was gone.
From attic trapdoors gushed a green chemical.
But the fire was clever. It had sent flames outside the house, up through The attic to the pumps there. An explosion! The attic brain which directed the pumps was shattered.
The house shuddered, its bared skeleton cringing from the heat. And the voices wailed, “Fire, fire, run, run,” like a tragic nursery rhyme, a dozen voices, high, low. One, two, three, four, five voices died.
Other choruses could be heard announcing the time, playing music, or cutting the lawn by remote-control mower. A scene of maniac confusion, yet unity; singing, screaming, and one voice, read poetry aloud in the firey study, until all the film spools burned.
In the kitchen the stove could be seen making breakfasts at a psychopathic rate, ten dozen eggs, six loaves of toast, twenty dozen bacon strips, which eaten by the fire, started the stove working again, hysterically hissing!
The crash. The attic smashing into kitchen and parlor. The parlor into cellar, cellar into sub-cellar.
Smoke and silence.
Among the ruins, one wall stood alone. Within the wall, a last voice said,
over and over, “Today is August 5, 2026, today is August 5, 2026, today is …”



Synopsis by Google about Ray Bradbury on AI:
Edit:
if you read it with Fahrenheit 451 in mind, where technology is clearly having a detrimental effect on peoples empathy. And the ability to think for yourself is oppressed. Which is why books are banned. This is clearly a general result of technology humanity can not control.
Today that image is very much about AI, where for Ray Bradbury that idea was more abstract, but he clearly desccibes machines that to some degree are thinking, and in Fahrenheit 451 clearly to the degree where humanity is controlled by the technology instead of humanity controlling the technology.
Regarding my original response being formulated by an LLM, I believe there are situations where they do a decent job.
Which I thought it did in this case.
I’m absolutely against AI being used to create for instance AI slob, or creating reports for government decision makers. But for banal tasks they can do a decent job IMO, and having read Ray Bradbury, my original post absolutely reflects what my own interpretation very closely.
You may consider it lazy, but it isn’t wrong.
Edit 2.
To all those that claim this is just another nuclear Armageddon story, what then is the purpose of describing a highly automated society, that keeps running after the people are dead?
People here apparently wouldn’t be able to see an elephant if it stood right in front of them, because it doesn’t fit their prejudiced opinions, they will simply deny its existence. 🤡
Finally the description about the tree falling and the house trying to save itself, is an indication of the excessive use of automation is a fragile foundation for civilization, showing the story clearly goes beyond being only about the nuclear Armageddon in its meaning.
You’re putting an AI synopsis of a short story in a group literally called “Fuck AI”?!
Yes because in this instance the AI is right.
Go ahead and read Fahrenheit 451 and you will be able to see it very clearly.
The tech society manipulated by media that very much look like AI is losing empathy and ability to think critically for themselves.
The technology controls society not the people.
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And how do you think that happened? This is written in 1950, with strong memories of Nazi Germany and the beginning of the cold war. Nuclear war is clearly also about human empathy, and how it might not save us from disaster. But my guess is that you never read Fahrenheit 451.
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Not everything AI is slop, you are acting like a religious fanatic.
I am totally against AI slop, but the existence of that although pretty overwhelming at times, does not mean everything AI is slop.
But this sub is apparently religiously narrow minded.
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take your trash elsewhere ffs
Rofl. As well as being tone deaf, that doesn’t actually capture what the story is about.
Yes actually it does, even if you don’t see it, it is pretty obvious.
Well I’m not going to say your interpretation is wrong, if that fits what you think of the story that’s valid.
It’s not their interpretation though, it’s an AI’s
The charitably of my whole sentence kind of pivots on the word “if” there.
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As a matter of opinion, is it a dogshit interpretation? Yes. Did reading it make me feel so sad and lonely that as a piece of art this crie de coeur that surely must ring in all our hearts at similar frequencies was reduced to a leaden summary by what sounds like a failing MBA student desperately trying to bump up their GPA with an elective they didn’t bother thinking about? Yes, too.
That’s really not the feel I get from this short story. The house cooked food for the family to eat all together, they were shown to be playing in the yard when nuclear disaster occurred, they seemed to have regular bridge gatherings (from those outside the family I suspect), had reminders of birthdays/anniversaries of those outside the family, and had enrichment through poetry and the jungle/savanna scene in the nursery.
These aren’t the marks of tech-slaves wasting away like in Wall-E. These were people that seemed to have been living an idealized life with lots of convenience. The house could have weeded the garden but the mother did it for pleasure. The kids could just have the house show them a stream of content but they played outside. The father could have just sat and smoked in the parlour but he had a social group.
It’s a story about how even with a highly advanced life, it can be wiped out in an instant. This house persisted for probably years before a sudden fire decimated it in an hour. It’s telling us to cherish the things we have, not warning us that the things strip us of our humanity. Did they take these things for granted? Almost certainly. But it wasn’t a lack of empathy that killed the family.
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LLMs killed media literacy
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So you read Bradbury and had an opinion, but still felt the need to ask a machine to validate your opinion? Don’t you see the irony of doing that while quoting “erosion of human agency and deep reading”?
I made a google search to find a source, but the AI response reflected what I wanted to write, and I chose that as a source instead. And I was completely upfront about it.
Still exactly my point. You could’ve searched your memories or read a source and formed an independent thought, instead of going for the ready-made no-thought option. To be clear, I don’t blame you personally, brains and life in general prefers to be efficient and not have to do work it doesn’t have to do, I’m just saying that it’s deeply ironical to post an AI overview about how AI erodes reading and thinking skills and then saying you agree with it. Do you believe Google and the current AI sphere are not adjacent entities to those that Bradbury and Orwell describe in their dystopian futures? The Google of today is not the same friendly page that helps you find cool stuff on the internet it used to be
Yes I can appreciate that.