cross-posted from: https://lemmy.world/post/50292078

Crossposted from https://lemmy.world/post/50292024

“Today is August 4, 2026”

Text transcript available at the bottom

Transcript

There Will Come Soft Rains

By: Ray Bradbury

In the living room the voice-clock sang, Tick-tock, seven o’clock, time to get up, time to get up, seven o’clock! As if it were afraid that nobody would.

Seven-nine, breakfast time, seven-nine!

In the kitchen the breakfast stove ejected eight pieces of perfectly browned toast, eight eggs sunnyside up, sixteen slices of bacon, two coffees, and two cool glasses of milk.

“Today is August 4, 2026, the city of Allendale, California.”

Somewhere in the walls, relays clicked, memory tapes glided under electric eyes.

“”Eight-one, tick-tock, eight-one o’clock, off to school, off to work, run, run, eight-one!” But no doors slammed. It was raining outside. The weather box on the front door sang quietly: “Rain, rain, go away; rubbers, raincoats for today…”

Outside, the garage chimed and lifted its door to reveal the waiting car.

After a long wait the door swung down again.

At eight-thirty the eggs were shriveled and the toast was like stone. An aluminum wedge scraped them into the sink. The dirty dishes were dropped into a hot washer and emerged twinkling dry.

“Nine-fifteen,” sang the clock, “time to clean.”

Tiny robot mice thudded against chairs, whirling their mustached runners, Kneading the rug nap, sucking gently at hidden dust. Then, they popped into their burrows. The house was clean.

“Ten o’clock.” The sun came out from behind the rain. The house stood alone in a city of rubble and ashes. This was the one house left standing. At night the ruined city gave off a radioactive glow which could be seen for miles.

“Ten-fifteen.” The garden sprinklers pelted the windowpanes,

running down the charred west side where the house had been burned evenly

free of its white paint. The entire west face of the house was black, save for five places. Here the silhouette in paint of a man mowing a lawn. Here, as in a photograph, a woman bent to pick flowers. Still farther over, their images burned on wood in one titanic instant, a small boy, hands flung into the air; higher up, the image of a thrown ball, and opposite him a girl, hand raised to catch a ball which never came down.

The five spots of paint – the man, the woman, the children, the ball –

remained. The rest was a think charcoaled layer.

“Twelve noon.”

A dog whined on the front porch.

The front door recognized the dog voice and opened. The dog, once huge and fleshy, but now gone to bone and covered with sores, moved in and through the house, tracking mud.

The dog frothed at the mouth, ran wildly in circles, biting at its tail, spun in a frenzy, and died. It lay in the parlor for an hour.

“Two-fifteen.”

The dog was gone.

In the cellar, the incinerator glowed suddenly and a whirl of sparks leaped up the chimney.

“Two thirty-five.”

Bridge tables sprouted from patio walls. Playing cards fluttered. Martinis manifested while music played.

But the tables were silent and the cards untouched.

At four o’clock the tables folded back through the paneled walls. “Four-thirty.”

The nursery walls glowed.

Animals took shape: yellow giraffes, blue lions, pink antelopes, lilac panthers. Hidden films clocked through well-oiled sprockets, and the glas walls lived. It was the children’s hour.

“Six, seven, eight o’clock.” The dinner dishes manipulated like magic

tricks, and in the study a click.

“Nine-five.” A voice spoke from the study ceiling:

“Mrs. McClellan, which poem would you like this evening?”

The house was silent.

The voice said at last, “Since you express no preference, I shall select a

poem at random.” “Sara Teasdale. As I recall, your favorite…

“There will come soft rains and the smell of the ground,

And swallows circling with their shimmering sound;

And frogs in the pools singing at night, And wild plum trees in tremulous white;

Robins will wear their feathery fire, Whistling their whims on a low fence-wire;

And not one will know of the war, not one Will care at last when it is done,

Not one would mind, neither bird nor tree If mankind perished utterly;

And Spring herself, when she woke at dawn Would scarcely know that we were gone.

At ten o’clock a falling tree bough crashed through the kitchen window

shattering cleaning solvent over the stove. The room was ablaze in an instant.

“Fire!” screamed a voice. Water pumps shot water from the ceilings while the voices took it up in chorus: “Fire, fire, fire!”

The house tried to save itself, but the wind blew and sucked upon the fire.

Scurrying water rats pistoled their water, and ran for more. And the wall sprays let down showers of mechanical rain.

But too late. The quenching rain ceased. The reserve water supply which had filled baths and washed dishes for many quiet days was gone.

From attic trapdoors gushed a green chemical.

But the fire was clever. It had sent flames outside the house, up through The attic to the pumps there. An explosion! The attic brain which directed the pumps was shattered.

The house shuddered, its bared skeleton cringing from the heat. And the voices wailed, “Fire, fire, run, run,” like a tragic nursery rhyme, a dozen voices, high, low. One, two, three, four, five voices died.

Other choruses could be heard announcing the time, playing music, or cutting the lawn by remote-control mower. A scene of maniac confusion, yet unity; singing, screaming, and one voice, read poetry aloud in the firey study, until all the film spools burned.

In the kitchen the stove could be seen making breakfasts at a psychopathic rate, ten dozen eggs, six loaves of toast, twenty dozen bacon strips, which eaten by the fire, started the stove working again, hysterically hissing!

The crash. The attic smashing into kitchen and parlor. The parlor into cellar, cellar into sub-cellar.

Smoke and silence.

Among the ruins, one wall stood alone. Within the wall, a last voice said,

over and over, “Today is August 5, 2026, today is August 5, 2026, today is …”

  • OmegaMouse@pawb.social
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    4 days ago

    In what way is it about the dangers of AI though? If anything, it’s about the dangers of nuclear war with the backdrop of a smart home falling apart

      • ZDL@lazysoci.al
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        4 days ago

        Uh… re-read it.

        The garden sprinklers pelted the windowpanes, running down the charred west side where the house had been burned evenly free of its white paint. The entire west face of the house was black, save for five places. Here the silhouette in paint of a man mowing a lawn. Here, as in a photograph, a woman bent to pick flowers. Still farther over, their images burned on wood in one titanic instant, a small boy, hands flung into the air; higher up, the image of a thrown ball, and opposite him a girl, hand raised to catch a ball which never came down. The five spots of paint – the man, the woman, the children, the ball – remained. The rest was a think charcoaled layer.

        This is a nuclear shadow story, not an AI/automation disaster one.

        • Buffalox@lemmy.world
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          4 days ago

          This is true, but it can be both, especially if you read it with Fahrenheit 451 in mind, where technology is clearly having a detrimental effect on peoples empathy. And the ability to think for yourself is oppressed. Which is why books are banned.

            • T156@lemmy.world
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              3 days ago

              If anything, it’s a bit of a sad story about automated conveniences continuing their task after the people using them are long dead.

              Every morning, the house would continue to greet the dead to a morning they will never see, opening the doors to allow passage for a car forever left undriven, readied for a work commute that they can no longer take.

            • Alloi@lemmy.world
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              3 days ago

              much like every piece of art, there is room for interpretation, and each new interpretation breathes new meaning, even if unintended by the creator. someone obviously read this, connected the dots for it to also mean AI or unchecked automation was responsible for the obivous nuclear war. which was the original message. one can only assume the cause of the nukes flying, but due to the heavy focus on the houses automation. it can also be considered or assumed that perhaps maybe that automation stretched further than the home itself. perhaps since everything in the home was automated, then maybe OTHER things were automated as well. like nuclear control. nuclear war is the result of the absence of human empathy, and machines dont have empathy. so it can be be a potential reality where in this automated world, that they automated war as well. much like we do today.

              and so, both interpretations now exist in the world.

              and that may frustrate you, or upset you, or piss you off, or go against your line of thinking. but the existence of the interpretation makes it real. maybe not to you, but to others. and thats okay.

              its a part of human nature, and cultural evolution. we apply stories from the past to the happenings of the now. like 1984. it was written about totalitarianism. but generally many people with a surface level understanding use it as an example of a communist dystopia. to them, communism bad. full stop. but in its words its stretches much farther than its main themes and plots.

              subtext, subplots. the intended or uninteded interpretations of the reader are things every author understands are inevitable. as should every reader.

              if this wasnt the case then there wouldnt be dozens or hundreds of variations and sects of religious doctrines born from the bible, quran, torrah, etc. but there is.

              different times, different meanings, different interpretations. some more agreeable, some violently opposable.

              im not agreeing or disagreeing, i am merely sondering between the many view points that exist here,and playing the advocate for a line of thinking that may expand your own, or not.

              who knows.

            • floquant@lemmy.dbzer0.com
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              3 days ago

              It most definitely was when it was written, but to me it’s a story about the obsession for idyllic automation (or more broadly, “progress” in the individualistic sense) while ignoring real dangers. Back then it was nuclear war, but today it could be climate change, fascism, AGI, or whatever else

      • OmegaMouse@pawb.social
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        4 days ago

        Hmm my take on it is that nuclear war has taken place, and it’s about how the house tragically keeps performing its duties not knowing that the human inhabitants are long dead.

        And yes, automated tech exists in the world of this story but I don’t see that as ‘AI’ any more than I’d view a teasmade (a kettle with a timer) as AI.

        For the sake of argument say that the story did include some form of AI. I think AI in science fiction is actually quite interesting (especially stuff from several decades back) because it tends to have some nuance, and isn’t the crappy LLM stuff that we’re getting in real life. My understanding is that this community is more about how shitty LLMs are.

        *edit - I think you updated your post to mention Skynet just after I responded, and that’s exactly my point. That’s an example of an ACTUALLY COOL concept of AI, and I think most people like those films